When people that don't believe, don't want to support decolonization, or don't understand are always asking for examples. “Oh, but what will Puerto Rico be like? Puerto Rico will lose this or Puerto Rico will lose that”, etc, etc. So that question, which I find very unfair, “if you want decolonization tell me what it looks like,” I find that very unfair, but then my project and my practice has been a reaction to that.

I don't know what it's going to look like, but I want to create a lot of visuals, a lot of images, a lot of imaginaries that can be answers to those questions—that become an archive, a collection of decolonial scenarios and decoloniality. The part that changes is that I’ve always been interested in the speculative, speculative design and speculative futures, because of its focus on possibilities.

It focuses and invites people participating, and me as a designer/artist, to think about creating work that is not a solution, but that opens up possibilities. This liberates me from trying to define decoloniality as one thing and it opens it up for a lot of experiments.